Spotlight Artist

Antonio Darden

South
Artist profile photo

Untitled (JPK)

Man singing above sign reading "IT'S ME, O LORD" with three pull cords hanging below.

acrylic on wood, brass chain, cast plastic, archival digital print, and Plexiglas

Sang James

Neon yellow podium beneath a portrait of a man on a white wall.

Plexiglas, speakers, audio, and pastel on paper, with artist’s frame

Road Block

Cartoonish eyes, pink frown, and a black silhouette of a child on a white wall.

Altered IKEA cabinet door, acrylic sheet, MDF, cast rubber, and metal bracket

Featured in New American Paintings1 / 3

Artist Statement

 It is exhausting to exist as a multiracial man in America. In 1978, my West Indian mother entered the United States by way of New York. In order to safely assimilate, my mother relinquished her Caribbean heritage. She later met my African American father at a funeral, fell in love, relocated to the South and learned to cooked soul food. I had an older brother. In 2018 he was shot and killed by a cop.

My work investigates the faceted constructs of self-identity and its relational dependence upon both the living and dead. Through humor, humble self-reflection, and the constant digestion of content, I question the fickle landscape known as social identity. These systematic investigations point to our shared experiences through life and death. I die a little bit everyday while watching your TikToks. My all-access pass to everything all at once makes me consider my mixed-race makeup as I grapple with presumptions of other cultures.

Our problems on earth are universal. Race is a construct. Satire is a vehicle. And grief, just is.

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