By laying bare my process—through stains, protrusions, leaks, cuts, and swells—paint initiates a conversation about time and the vulnerability of form. My vertical “object-paintings” and “totems” embody different emotional and psychological tones, which reverberate in the room in which they’re installed. Stepping into the territories of sculpture and installation, I challenge notions of totality, integration, and completion specific to painting. The titles suggest literary characters as well as my self-awareness, affirming a formless motivation.

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October 9th, 2013