Painted with what she describes as a “nocturnal” palette, Olivia Jia’s works have a somnambulant quality, as if presenting scenes encountered in a state between sleep and waking. Frequently depicting imagined books and ephemera, each painting is constructed around a tableau that the artist has arranged, incorporating material collected by herself or in the possession of family members, alongside references to American and Chinese art histories. Informed by Jia’s own diasporic identity as the child of Chinese immigrants to the United States, ideas of kinship, heritage, longing and belonging are negotiated through the constellations of elements she gathers together in her compositions. Staged in a studio workspace, depicted either late at night or in an imagined facsimile of that location, her paintings act as tools with which a greater degree of self-recognition might be arrived at. The somberly lit surfaces depicted are at once tabletops or pinboards upon which objects might be placed and psychic spaces onto which desire might be projected.