Spotlight Artist

Thomas D. Aaron

West
Artist profile photo
Featured in New American Paintings

Artist Statement

I’m interested in our interaction with and dependence on land, and on the cadastral systems that sectionalize and define our conception of it.

My current work is an investigation of the Public Land Survey System (PLSS), which imposed a survey grid across the vast majority of the land west of the Mississippi. Emanating from initial point markers scattered across the States, land is divided into grids of six-mile square townships. Each township is further divided into thirty-six one-mile square sections. The sections are divided into aliquot parts as determined by regulation and local conditions.

The grid was initially an invisible human construct, rational in concept, arbitrary and imperfect in application. Because of the length of time of its existence and the rigidity of its makeup, the land has slowly been shaped to the geometry of the grid. The land is not only contained but becomes a tabula rasa to be reshaped and determined by those who claim the right to contain it. My paintings attempt to explore the visual results of that reinvention.

Artist's Additional works

Works shared by the artist outside of their featured New American Paintings selections

Featured artwork
Featured artwork

Discover more artists from the West

THE MAGAZINE

Explore our magazine to discover exceptional artists

Open magazine with text, modern illustrations, and a list of artists on a pink background.
View issues

Call for Artists

Submit your work for consideration

New American Paintings is a juried exhibition-in-print and digital, presenting the work of 40 emerging artists in each issue.

View competitions

Your gateway to new art

Discover tomorrow's art stars, today

Two books on a wooden table with a modern decorative sculpture in the background.

PRINT + EARLY ACCESS DIGITAL SUBSCRIPTION

$179/YEAR

DIGITAL SUBSCRIPTION

$99/YEAR OR $10/MONTH

Each issue of New American Paintings features forty artists selected through our juried competitions—presented in a beautifully curated, full-color publication. Subscribers receive six issues per year, plus exclusive online access to current and past editions. Are you a collector? Consider our premium subscription and receive our museum-quality printed publication + access to each new digital issue two weeks before its general release.