NAP NewsNoteworthy

13 to Watch in 2013: NAP Publisher’s Picks

Written by Andrew Katz Katz

Article hero image
There is always a lot happening in the super charged art world of the 21st-Century, and I am constantly amazed by the number of new artists who seem to emerge each year. Some would say that the cart is driving the horse - that the machine that is the contemporary art world demands new artists at an ever-increasing, and unhealthy rate. I understand where the cynical view comes from, but I choose to be a bit more sanguine about the situation. After all, more artists than ever now have a chance to support themselves through their creative efforts, and that is certainly not a bad thing. While the idea of historically identifiable “–isms” has largely been jettisoned as a quaint 20th- Century notion, there are certainly notable areas of artistic practice that seem to, for whatever reason at certain moments, gain traction with large numbers of artists. For the past several years, non-objective painting has been one such area.
Ferris2 Keltie Ferris. Courtesy of Mitchell-Innes & Nash.
As of late, emerging artists from throughout the world have been busy tearing painting down, and building it back up again; questioning exactly what a painting is; and coming up with ever more inventive and unique processes for making paintings. Many artists have taken a “provisional” stance, while others are producing highly finished work that so blurs the line between two and three-dimensional practice that categories of media such as painting and sculpture become all but useless. (The latter tendency is being explored in a soon-to-open exhibition at the DeCordova Museum in Lincoln, MA.) My list of painters to watch in 2013 intentionally reflects this current moment in painting. As such, it could fairly be asked whether some of the artists on the list are even painters per se. Without a doubt, all of them take cues from the history of painting and, whether or not paint is actually used in the execution of their work, produce objects that force the viewer to address issues central to painting. Steven Zevitas Editor and Publisher New American Paintings 13 to Watch in 2013: Joshua Abelow Paul Cowan Liam Everett Keltie Ferris Nikolas Gambaroff David Korty Daniel Lefcourt Yoshiaki Mochizuki Scott Olson Noam Rappaport Julia Rommel Hugh Scott Douglas Lucien Smith

Joshua Abelow

Abelow Joshua Abelow. Courtesy of James Fuentes.

Paul Cowan

Cowan Paul Cowan. Courtesy of Clifton Benevento.

Liam Everett

Everett Liam Everett. Courtesy of Altman Siegel.

Keltie Ferris

Ferris Keltie Ferris. Courtesy of Mitchell-Innes & Nash.

Nikolas Gambaroff

Gambaroff Nikolas Gambaroff. Courtesy of Overduin and Kite.

David Korty

Korty David Korty. Courtesy of Kimmerich Gallery.

Daniel Lefcourt

Lefcourt Daniel Lefcourt. Courtesy of Mitchell-Innes & Nash.

Yoshiaki Mochizuki

Mochizuki Yoshiaki Mochizuki. Courtesy if Marlborough.

Scott Olson

Olson Scott Olson. Courtesy of Overduin and Kite.

Noam Rappaport

Rappaport Noam Rappaport. Courtesy of James Fuentes.

Julia Rommel

Rommel Julia Rommel. Courtesy of Bureau.

Hugh Scott Douglas

ScottDouglas Hugh Scott Douglas. Courtesy of Jessica Silverman Gallery.

Lucien Smith

Smith Lucien Smith. Courtesy of OHWOW.
A

Written by

Andrew Katz Katz

More stories

View all

THE MAGAZINE

Explore our magazine to discover exceptional artists

Open magazine with text, modern illustrations, and a list of artists on a pink background.
View issues

Call for Artists

Submit your work for consideration

New American Paintings is a juried exhibition-in-print and digital, presenting the work of 40 emerging artists in each issue.

View competitions

Your gateway to new art

Discover tomorrow's art stars, today

Two books on a wooden table with a modern decorative sculpture in the background.

PRINT + EARLY ACCESS DIGITAL SUBSCRIPTION

$179/YEAR

DIGITAL SUBSCRIPTION

$99/YEAR OR $10/MONTH

Each issue of New American Paintings features forty artists selected through our juried competitions—presented in a beautifully curated, full-color publication. Subscribers receive six issues per year, plus exclusive online access to current and past editions. Are you a collector? Consider our premium subscription and receive our museum-quality printed publication + access to each new digital issue two weeks before its general release.