Then and Now: 10 New American Paintings Alumni Who Became Art Stars

On our 25th anniversary of New American Paintings, we take a look back at some of the NAP artists who have made it big.

Amy Sherald Michelle LaVaughn Robinson Obama 2018 oil on linen 72 x 60 inches

photo courtesy of the National Portrait Gallery, Smithsonian Institution

1. AMY SHERALD (b. Columbus, GA 1973) has been a name on all of our tongues this year; In a historic and widely-covered event, chosen by Michelle Obama, she became the first artist of color to reveal a First Lady portrait at the National Portrait Gallery. The event took place on February 12, 2018. Sherald appeared in New American Paintings South Issue #88 in 2010. Sherald lives and works in Baltimore, MD and since her appearance in New American Paintings, she has garnered an extensive record of institutional presence with exhibitions at the California African American Museum (Los Angeles, CA), Studio Museum (Harlem, NY), Smithsonian National Museum of African American History and Culture (Washington, D.C.), Smithsonian National Portrait Gallery, Kemper Museum of Contemporary Art (Kansas City, MO), and National Museum of Women in the Arts (Washington, D.C), among others.

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Amy Sherald THE RABBIT IN THE HAT 2009 oil on canvas 54 x 43 inches

photo courtesy of the artist

Amy Sherald THEY CALL ME REDBONE, BUT I’D RATHER BE STRAWBERRY SHORTCAK 200 oil on canvas 54 x 43 inches

photo courtesy of the artist

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Amy Sherald Michelle LaVaughn Robinson Obama 2018 oil on linen 72 x 60 inches

photo courtesy of the National Portrait Gallery, Smithsonian Institution

Amy Sherald SHE ALWAYS BELIEVED THE GOOD ABOUT THOSE SHE LOVED 2018 oil on canvas 54 x 43 inches

photo courtesy of the artist

2. JORDAN CASTEEL (b. 1989, Denver, CO) was featured in New American Paintings Northeast Issue #116 in 2015. Since the issue – in a span of only three years – she has participated in numerous esteemed (and downright impressive) exhibitions and residencies, earning her place in major institutions including MoCA, Los Angeles (Los Angeles, CA), The Studio Museum (Harlem, NY), and Mass MoCA (North Adams, MA). Casteel will present her first museum solo exhibition with the Denver Art Museum (Denver, CO) in February of 2019. Currently a New York resident, her most recent body of work has embodies the sights and scenes of Harlem, NY.

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Jordan Casteel Jerome 2014 oil on canvas 54 x 74 inches

Photo courtesy of the artist

Jordan Casteel Sterling 2014 oil on canvas 54 x 72 inches

Photo courtesy of the artist

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Jordan Casteel Takedown 2018 oil on canvas 35 x 60 inches

Photo courtesy of the artist

Jordan Casteel Twins 2017 oil on canvas 72 x 54 inches

Photo courtesy of the artist

3. NJIDEKA AKUNYILI CROSBY (b. 1983, Enugu, Nigeria) appeared in New American Paintings MFA Issue #93 in 2011. On the heels of her New American Paintings debut, Akunyili Crosby started her residency with the Studio Museum in Harlem and has seen an already tremendous amount of success. Since the residency, she has participated in exhibitions all around the world, including the National Portrait Gallery, London (London, England), the Pera Museum for the Istanbul Biennial (Istanbul), The Drawing Center (New York, NY), Whitney Museum of American Art (New York, NY), and Museum of the African Diaspora (San Francisco, CA). This year, Akunyili Crosby broke auction records with the winning bid for her work, Bush Babies, landing over $2.5 million over the estimate at Sotheby’s. Born in Nigeria, Akunyili Crosby’s work focuses on global connection and history, as well as the contemporary cultural, transnational terrain.

THEN:

Njideka Akunyili Crosby The Rest of Her Remains 2010 acrylic, charcoal, ink , collage and Xerox transfers on paper 7 x 9 feet

Photo courtesy of the artist

Njideka Akunyili Crosby In the Wake of 2010 acrylic and collage on canvas 36 x 48 inches

Photo courtesy of the artist

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Njideka Akunyili Crosby Home: as You See Me 2017 acrylic, transfers, colored pencil, charcoal, collage and commemorative fabric on paper 7 x 7 feet

Photo courtesy of the artist

Njideka Akunyili Crosby Garden Thriving (Right Panel) 2016 acrylic, transfers, colored pencil and collage on paper 7 x 9 feet

Photo courtesy of the artist

4. SHARA HUGHES (b.1981 Atlanta, GA) lives and works in Brooklyn, NY. Her work was featured in New American Paintings South Issue #58 in 2005. This year, Hughes completed her largest work to date- a giant mural on the building at Dewey Square Park, Boston, MA. Recent solo exhibitions include Lincoln Center (New York, NY), Contemporary Art Center (Atlanta, GA), American Contemporary (New York, NY), Museum 52 (London, England), the Newport Art Museum (Newport, RI), Gallery Met at the Metropolitan Opera (New York, NY), and Museum of Contemporary Art of Georgia (Atlanta, GA). Hughes was a stand-out painter at the 2017 Whitney Biennial, inciting the museum to add her work to their permanent collection. The interiors featured in NAP almost appear as landscapes - the carpet is grass or stone and the rug is a river. It’s no surprise that Shara is now focusing on paintings of outdoor scenes and experiences.

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Shara Hughes Untitled 2005 oil, acrylic and pencil on canvas 48 x 47.9 inches

Photo courtesy of the artist and artsy

Shara Hughes Untitled 2005 oil, acrylic and pencil on canvas 50 x 53.9 inches

Photo courtesy of the artist and artsy

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Shara Hughes Narnia 2017 oil and acrylic on canvas 78 x 70 inches (198.1 x 177.8 cm)

Photo courtesy of Rachel Uffner Gallery

Shara Hughes Glow In The Dark 2017 oil and acrylic on canvas 68 x 60 inches (172.7 x 152.4 cm)

Photo courtesy of Rachel Uffner Gallery

5. BRIAN CALVIN (b. 1969 Visalia, CA) was featured in New American Paintings Midwest Issue #11 in 1997. That’s right -- #11. If you are a long-time reader, you might remember Calvin’s 1990’s earth-toned, darkly humorous takes on historical paintings and pop culture gracing the NAP pages. His more recent (and sometimes controversial) paintings still pack a referential punch, but have evolved into the brightly-colored, hauntingly stagnant paintings we now know. He currently lives and works in Ojai, CA and his work has been featured at numerous heavy-hitter galleries, such as Corbett vs. Dempsey (Chicago, IL), Anton Kern (New York, NY), Almine Rech Gallery (Paris, France; Brussels, Belgium; New York, NY).

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Brian Calvin Sorry So Sloppy 1996 acrylic on canvas 24 x 32 inches

Photo courtesy of the artist

Brian Calvin Crossing the Potomac acrylic on canvas 54 x 72 inches

Photo courtesy of the artist

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Brian Calvin Duet (I) 2018 acrylic on canvas 70 x 56 inches

Photo courtesy of Anton Kern Gallery

Brian Calvin In The Distance 2017 acrylic on canvas 60 x 48 inches

Photo courtesy of Anton Kern Gallery

6. SARAH CAIN (b. 1979 Albany, NY) now lives and works in Los Angeles, CA. She was featured in New American Paintings Pacific Coast Issue #73 in 2007, within a year after her summer at Skowhegan School of Painting and Sculpture (Skowhegan, ME). In her NAP we got to see the beginnings of what has become a large part of Cain’s practice - a site specific installation, essential to her painting practice. In one of the recent photos from this last year, we see Cain’s large outdoor installation on the outside of the ICA Los Angeles. Recent group exhibitions include Pizzuti Collection (Columbus, OH), Honor Fraser (Los Angeles, CA), Armory Art Fair (New York, NY), CCA Wattis Institute (San Francisco, CA, Museum of Contemporary Art San Diego (San Diego, CA), San Antonio Museum of Art (San Antonio, TX), LACMA (Los Angeles, CA), and Frances Young Tang Teaching Museum and Art Gallery (Saratoga Springs, NY).

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Sarah Cain Take heed take heart glass beads, coral beads, string, cardboard, metallic black thread, color copy, gouache, latex, beva, holifax on canvas 20.5 x 16 x 3 inches

Photo courtesy of the artist

Sarah Cain It will go down like a dark ship latex, gouache and spray paint on wall dimensions variable (installation view)

photo courtesy of the artist

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installation view: Sarah Cain, Now I’m going to tell you everything, 2018, Institute of Contemporary Art, Los Angeles, CA

photo courtesy of Honor Fraser

Sarah Cain sight and light 2017 acrylic and oil bar on canvas 60 x 48 inches

Photo courtesy of Honor Fraser

7. EDDIE MARTINEZ (b. 1977 Groton, CT) lives and works in Brooklyn, NY. He was featured in New American Paintings Northeast Issue #68 in 2007. In the past 11 years we have seen Martinez delve deeper and dirtier into his practice; the forms have become bolder and more abstract and the paint and application have become blatantly unapologetic. The works featured in NAP Martinez has had solo exhibitions at Drawing Center (New York, NY), Davis Museum at Wellesley College (Wellesley, Massachusetts), Peres Projects (Berlin, Germany), Half Gallery (New York, NY), The Journal Gallery (Brooklyn, NY) and ZieherSmith (New York, NY). This year Martinez has an upcoming solo exhibition with the Bronx Museum.

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Eddie Martinez WILD PILGRIMS acrylic on panel 36 x 48 inches

Photo courtesy of the artist

Eddie Martinez UNTITLED ca 2006 mixed media on paper 6 x 7 inches

Photo courtesy of the artist

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Eddie Martinez Future passed 2018 silkscreen ink, oil paint and spray paint collaged canvas and thumbtacks on canvas

Photo courtesy of Mitchell-Innes & Nash

Eddie Martinez Love Letter #15 (Fine Ants) 2017 silkscreen ink, oil, spray paint and enamel on canvas 296 x 75 inches

Photo courtesy of Mitchell-Innes & Nash

8. LOIE HOLLOWELL (b. 1983 Woodland, CA) had her New American Paintings debut in the MFA Issue #93 in 2011. In Soporific, the folds and wrinkles are Trompe-l'œil - a precursor to the illusions and deep understanding of manipulation of light and surface, soon to develop further in her recent body of work. These visual effects paired with the integration of female bodily forms are what give us the iconogrto aphically yonic works of today. She is currently represented by PACE Gallery and has been featured in exhibitions with Crystal Bridges Museum of American Art (Bentonville, AK), Anton Kern Gallery (New York, NY) Andrehn-Schiptjenko (Stockholm, Sweden), White Cube Bermondsey (London, England), and Rental Gallery (East Hampton, NY).

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Loie Hollowell inverse ink on cotton denim 18 x 22 inches

Photo courtesy of the artist

Loie Hollowell Soporific ink on cotton denum 18 x 22 inches

Photo courtesy of the artist

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Loie Hollowell From the Beginning (inversed) 2017 medium, sawdust, high density foam on linen over panel 48 x 36 x 2 inches

Photo courtesy of the artist

Loie Hollowell Point of Entry (lingam between teal circles) 2017 oil, acrylic medium, sawdust, high density foam on linen over panel 48 x 36 x 3.5 inches

Photo courtesy of the artist

9. MATTHEW DAY JACKSON (b. 1974 Panorama City, CA) appeared in New American Paintings MFA Annual in 2001. Jackson’s current body of work is strikingly different from his paintings in NAP, but we can see some hints in the early paintings of what was soon to come; In MASTER, there is a large black square, maybe a blank screen, and symbol of a failed digital eutopia- a theme consistently explored and dissected in Jackson’s recent work. His work has been shown with Drents Museum Assen (Assen, Netherlands), Van Goghhuis (Zunden, Netherlands), Museum Kranenburgh (Bergen, Netherlands), Firstsite (Colchester, England), Yorkshire Sculpture Park (West Bretton, UK), Hauser & Wirth (New York, NY), and ZKM Museum of Contemporary Art (Karlsruhe, Germany).

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Matthew Day Jackson Servant oil on panel 24 x 24 inches

Photo courtesy of the artist

Matthew Day Jackson Master oil on panel 24 x 24 inches

Photo courtesy of the artist

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Matthew Day Jackson Destroyed by Fire (The Park at Arles with the Entrance Seen through the Trees) 2017 scorched wood on panel, powder coated stainless steel frame 41 1/4 x 37 x 3 in

Photo courtesy of GRIMM

Matthew Day Jackson A Stoneware Vase of Flowers 2017 Formica, silkscreen, acrylic paint on epoxy, resin on panel, stainless steel frame 61.5 x 48 x 2 inches

Photo courtesy of Hauser & Wirth, the artist, and Matthew Kroening

10. SUMMER WHEAT (Oklahoma City, OK) has been featured in New American Paintings twice: Northeast Issues #98 and #104. Wheat first became known for her portraits of women, piling and layering paint to the point of relief. Recently, she has expanded the scene, keeping the texture, but focusing on line and shape more than ever before. Rather than smearing the paint on the surface, she has started to push the paint through metal mesh from the back. Exhibitions have been presented by Andrew Edlin gallery (New York, NY), Smack Mellon (Brooklyn, NY), Braverman gallery (Tel Aviv, Israel), Henry Museum of Art (Seattle, WA), Oklahoma Contemporary (Oklahoma City, OK), ICA Boston (Boston, MA), and Steven Zevitas Gallery (Boston, MA), and Samson (Boston, MA), among others.

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