BRIAN FEE
Jason Shawn Alexander Undertow
venue: 101/exhibit, 101 NE 40 Street, Miami FL 33137
date: Friday, December 2 and runs through February 8
Jason Shawn Alexander | Sleeping Soundly, 2011, oil and mixed media on canvas, 48" x 66", courtesy 101/exhibit
101/exhibit presents Undertow, an exhibition of new works by Jason Shawn Alexander, the LA-based expressionist figurative painter. The artist's adeptness as a draftsman (his work has featured in Marvel, DC, Dark Horse and Oni Press, among others) is crucial here, as he mounts paper to canvas and then inks and paints it, creating fluidic subjects in dramatic suspended animation. The show coincides with the publication of Alexander's monograph Undertow.
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Jenny Saville
venue: Norton Museum of Art, 1451 S. Olive Avenue, West Palm Beach, FL
date: opens Wednesday, November 30 (runs through March 4)
Jenny Saville | Rosetta 2, 2005-2006, oil on watercolor paper, mounted on board, 99-1/4 x 73-3/4 inches, courtesy Gagosian Gallery
Norton Museum of Art hosts the first U.S. museum survey of British artist Jenny Saville, among the youngest of "the young British artists", focused on twelve years of her large-scale physical, figurative paintings and works on paper. Saville was just featured in Continuum, an exhibition of new works, at New York's Gagosian Gallery.
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Lyons Wier Gallery (Booth E301 at PULSE Miami Contemporary Art Fair)
PULSE Miami at The Ice Palace, Wynwood Art District, 1400 N. Miami Ave, Miami FL
December 1-4
Jazz-minh Moore | Moot 2011, Acrylic and resin on birch panel, 30 x 40 in, courtesy Lyons Wier Gallery
The New York gallery presents a "Conceptual Realism" grouping of nine contemporary artists who excel at and challenge the pictorial aspect of representational painting. Featuring lush results by Jazz-minh Moore (ahead of her January solo exhibition Is That All There Is? at the gallery), Martin Wittfooth, Fahamu Pecou and James Rieck, stirring photorealistic contemplation by Mary Henderson and Tim Okamura, plus Jason Yarmosky, Andrews Basurto, and David Lyle.
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It Ain't Fair 2011: Materialism
venue: OHWOW Miami, 81 NE 40 Street, Miami Design District, FL
date: opening Thursday, December 1, 6-9p (through December 4)
Anna Betbeze | Mimosa, 2011, Acid dyes and watercolor on wool, 120 x 75 inches, courtesy OHWOW
OHWOW initiates the fourth year of its annual group show during Art Basel Miami Beach, focusing this time on materialism and the physicality of artwork. Over twenty artists contribute, including: Daniel Arsham, Justin Beal, Anna Betbeze, Ashley Bickerton, Scott Campbell, Peter Coffin, Dan Colen, N. Dash, Sam Falls, Michael Genovese, Luis Gispert, Angel Otero, José Parlá, Sara Rahbar, Ryan Reggiani, Bert Rodriguez, Amanda Ross-Ho, Aurel Schmidt, David Benjamin Sherry, Lucien Smith, Agathe Snow, Jessica Stockholder, Nick van Woert, and Aaron Young. Plus, New York-based artist Michael David Quattlebaum, Jr. unveils a special live performance during the opening reception.
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Tanya Bonakdar (Booth E06 at Art Basel Miami Beach), vernissage Wednesday, November 30 (through December 4)
Thomas Scheibitz | Figure (No. 538), 2009, oil, vinyl, pigment, marker on canvase, 67" x 47.25", courtesy Tanya Bonakdar
Tanya Bonakdar's West Chelsea gallery unveils a strong cross-media component from their artist roster, many of whom are enjoying exhibitions and major projects after the fair. Contributors include painting and sculpture by Berlin-based artist Thomas Scheibitz, who debuts major new painting Figure 62; new paintings by São Paolo-based Sandra Cinto; and sculpture by Rio de Janeiro-based artist Ernesto Neto, who participates in a conversation with Adriano Pedrosa, curator of Neto's major upcoming survey exhibition at MARCO in Monterrey, Mexico, as part of the Art Salon program on Thursday December 1 at 2p). Plus, sculpture by Frankurt and Main-based mixed media artist Tomas Saraceno (he holds a conversation with Hans Ulrich Obrist on Sunday December 4, 2p); sculpture by Charles Long (who is creating major public commission for Madison Square Park NYC in spring 2012); and site-specific wall works by New York-based Sarah Sze (on the eve of her major solo exhibition The Infinite Line, opening December 13 at New York's Asia Society); and by Turner Prize nominee Martin Boyce, among others.
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Gerhard Richter Painting (dir. Corinna Belz, 2011) U.S. premiere
venue: Colony Theatre, 1040 Lincoln Road, Miami Beach FL
date: Friday, December 2, 8:30p (free, but limited seating)
Still image from Corinna Belz’s documentary, Gerhard Richter Painting
The November 4 post on Tate Blog by Mark Godfrey, "Richter's paintings. How did he make them?", highlighting the German pioneer's squeegee abstractions, was a must-read for aesthetes. Now we get a truly exclusive, 101-minute gaze into one of the most internationally significant, methodically mind-boggling contemporary artists today. Belz, the Cologne-based filmmaker, positions her lens as a fly on the wall, observing Gerhard Richter's "secretive affair" with painting in his studio. The film explores Richter's personal history of growing up in communist East Germany, plus his prowess for painting both highly photorealistic and ecstatically abstract works. But as the title implies, there are many visceral closeups of the artist at work, squeegeeing color, smearing paint, stripping it away and repeating. A Q&A with Belz and a panel discussion follows the screening.
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Erwin Wurm, Beauty Business
venue: Bass Museum of Art, 2100 Collins Ave, Miami Beach FL
date: opens Thursday, December 1 (through March 4)











